심리학의 원리/심리학의 원리2

심리학의 원리/심리학의 원리2

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Professor Stricker says that in his own case no auditory image enters into the words of which he thinks. Like most psychologists, however, he makes of his personal peculiarities a rule, and says that verbal thinking is normally and universally an exclusively motor representation. That, however, soon vanishes, as does also the difficulty of thinking of one vowel whilst continuously sounding another. In thinking of a soldier marching, for example, it is as if he were helping the image to march by marching himself in his rear. The first breaker of ground in this direction was Fechner, in 1860. Fechner was gifted with unusual talent for subjective observation, and in chapter xliv of his 'Psychophysik' he gave the results of a most careful comparison of his own optical after-images, with his optical memory-pictures, together with accounts by several other individuals of their optical memory-pictures. Galton, the publication of whose results in 1880 may be said to have made an era in descriptive Psychology. In one it will throw a much-used brain-tract out of gear; in the other it may affect an unimportant region. Here will we house ourselves in quiet.

I, p. 473 ff., especially the note to page 477), and I would not touch upon the matter at all here but for its historical interest. There are imaginations, not 'the Imagination,' and they must be studied in detail. The same local cerebral injury must needs work different practical results in persons who differ in this way. The bodily symptoms of the Salpétrière patients are all of them results of expectation and training. Not only were ideas copies of original impressions made on the sense-organs, but they were, according to him, completely adequate copies, and were all so separate from each other as to possess no manner of connection. The only areas where McGwire has an advantage is in on base percentage (which is more a function of the era he played in - McGriff's OBP is very close), slugging percentage and HR. And I may mean all mankind, with perhaps a very sharp image of one man in my mind's eye. In some individuals the habitual 'thought-stuff,' if one may so call it, is visual; in others it is auditory, articulatory, or motor; in most, perhaps, it is evenly mixed. I may bewail the indistinctness of my mental image of my absent friend.

The movements of articulate speech Participate in a predominant aspect in his mental life. Once the mental pics are of knowledge freely combined, and reproducing no past combination particularly, We've functions of creativity appropriately so termed. Destiny this type of bold, untrammelled spirit gave him, As forwards, onwards, at any time ought to endure; Whose around-hasty impulse drave him Earlier earthly joys he could safe. I come to feel thee draw my coronary heart, take in, exhaust me: Thou have to! As regards the ventilation or heating of rooms, we've been apt to experience for some time as we expect we ought to really feel. The this means is usually a functionality of the more 'transitive' parts of consciousness, the 'fringe' of relations which we experience encompassing the image, be the latter sharp or dim. What probably stays correct, however, is that most Adult men Possess a less auditory and a more articulatory verbal creativeness than they are apt to know about.

It's a somewhat remarkable point, far too, which the psychologists of Hume's own empiricist college have, being a rule, been extra responsible of the blindness than their opponents. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor creativity, would probably bear significantly less fruit than Galton's inquiry into visual pictures. We've contended all along for the affirmative reply to this question, but must now cope with difficulties bigger than any that have assailed us hitherto. To get a new industry of watch for our object the aged just one have to vanish. The creativeness of the blind-deaf mute like Laura Bridgman has to be confined entirely to tactile and motor product. It's not necessarily until finally their attention is expressly drawn to the point they find it tough to say regardless of whether auditory visuals or motor photos linked with the organs of articulation predominate. If I slip to the standard way of talking, and communicate of various Concepts 'combining,' the reader will recognize that this is just for popularity and comfort, and he will never construe it into a concession towards the atomistic theory in psychology.

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